Personal Producing in the Creative Industries (A Case Study of Collaboration with Writers)

  • Olena Ryzhko Taras Shevchenko National University of Kyiv
  • Yuliia Shmyha Taras Shevchenko National University of Kyiv
  • Oleksandra Kovalova Taras Shevchenko National University of Kyiv
Keywords: personal brand, personal producer, subject of production, production strategy, self-production, cooperation model, strategic communications

Abstract

The relevance of this study stems from the rapid development of the creative industries. This growth is supported in part by state initiatives, which not only generate new employment opportunities but also create a growing demand for professional producers. These specialists are expected to work effectively as personal producers for media figures — including writers. Publishing remains one of the leading creative industries that continues to develop actively despite russia’s full-scale invasion and ongoing war in Ukraine.

Drawing on personal professional experience, document analysis, and an exploratory survey of writers about their collaboration with personal producers, the study proposes an effective ten-stage model of such cooperation: 1. Self-assessment and personal insight. 2. Formalization of professional agreements. 3. Distribution of responsibilities and task lists for both parties. 4. Analysis of the writer’s personal brand (if it exists) and its potential rebranding, or brand creation if absent. 5. Development of a personal production strategy. 6. Selection of tools for personal production. 7. Collaboration with media outlets and preparation of a media kit. 8. Development of crisis communication scenarios. 9. Building a community as part of implementing the personal production strategy and fostering the writer’s brand ambassadorship. 10. Evaluation of the strategy’s effectiveness and its adjustment when necessary.

The survey results indicate that self-production currently dominates the field, as few contemporary Ukrainian writers earn enough from their creative work alone to hire a producer. Nevertheless, writers recognize the need for professional support in developing production strategies — particularly in defining key components, identifying target audiences, managing personal brands, and addressing financial aspects. At the same time, only 15 % of respondents are ready to delegate all operational responsibilities to a producer, keeping the creative process for themselves. This reflects a strong tendency toward self-production — a phenomenon that, in our view, warrants deeper academic exploration.

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Author Biographies

Olena Ryzhko, Taras Shevchenko National University of Kyiv

Doctor of Social Communications, Associate Professor,

Professor at the Department of Editorial and Publishing Technologies and Media Production,

Educational and Scientific Institute of Journalism,

Taras Shevchenko National University of Kyiv

Yuliia Shmyha, Taras Shevchenko National University of Kyiv

PhD in Philology, Associate Professor,

Associate Professor at the Department of Advertising and Public Relations,

Educational and Scientific Institute of Journalism,

Taras Shevchenko National University of Kyiv

Oleksandra Kovalova, Taras Shevchenko National University of Kyiv

Doctor of Philosophy (PhD) in Journalism,

Department of Editorial and Publishing Technologies and Media Production,

Educational and Scientific Institute of Journalism,

Taras Shevchenko National University of Kyiv

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Published
2025-12-30
How to Cite
Ryzhko, O., Shmyha, Y., & Kovalova, O. (2025). Personal Producing in the Creative Industries (A Case Study of Collaboration with Writers). Integrated Communications, (2(20), 80-89. https://doi.org/10.28925/2524-2652.2025.210
Section
Advertising and public relation